Siberia
Abel Ferrara's Siberia casts Willem Dafoe in the tundra of the titular region adrift in a sea of memories. Script and editing make clear that the action is occurring in the mind's eye of Clint, Dafoe's character. Self-indulgent and slightly batty, Siberia is well-paced, beautiful and incomprehensible. The glimpses we see of Clint's life are compelling, yet ephemeral because of their subjectivity. Ferrara and Dafoe's skills make the film visceral viewing, but the film's evocation of one man's unconscious will leave some feeling unmoored. Recommended to fans of Messrs. Dafoe and Ferrara. Others should be wary.
Subscribe to:
Post Comments (Atom)
-
I rewatched Robert Altman's Brewster McCloud for the first time in 45 or so years and the baffled bemusement with which I initially watc...
-
Jia Hongsheng Lou Ye's Suzhou River , from 2000 , is a disjunctive noir set in Shanghai. The film is purposefully hard to follow for a ...
-
Dominique Sanda in Une Femme Douce Robert Bresson's Une Femme Douce , from 1969 is an astringent amalgam of Bresson's and Dostoyev...
-
Viewing Christ Stopped at Eboli , from 1979, reinforced my feeling that director Francesco Rosi is the most underrated of the postwar Italia...
-
Wide eyed sheeple lurk amidst the undergrowth in Happy as Lazzaro Alice Rohrwacher's Happy as Lazzaro is a droll, Buñuelian comedy o...

No comments:
Post a Comment