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Sam Fuller with ever present cigar |
Lisa Dombrowski's
The Films of Samuel Fuller: If You Die, I'll Kill You! left this Fuller fan deflated. Dombrowski is a Wesleyan University professor who wants to balance auteurist enthusiasm for the director and writer with recent academic scholarship on film production; most significantly David Bordwell, et al's
The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. This she does, so if you are looking for a book on the difference between Fuller's work for 20th Century Fox and his independent work or the average shot lengths of Fuller's films, then this is the book for you. Dombrowski's visual analyses of the films are an almost unreadable thicket of academic jargon that end up obscuring rather than revealing Fuller's pungent personality. I largely agree with Dombrowski's opinions, but felt so depleted by the end of this short book that I cannot recommend it.
There are always the films themselves. The first fifteen I recommend wholeheartedly, but even Street of No Return has moments that could have come from no one but this very singular filmmaker.
- Shock Corridor 1963
- Pickup on South Street 1953
- The Naked Kiss 1964
- Merrill's Marauders 1962
- Underworld USA 1961
- Forty Guns 1957
- Run of the Arrow 1957
- The Crimson Kimono 1959
- The Big Red One 1980
- The Steel Helmet 1951
- White Dog 1982
- House of Bamboo 1955
- China Gate 1957
- Verboten! 1960
- Park Row 1952
- The Baron of Arizona 1950
- I Shot Jesse James 1949
- Street of No Return 1989
Haven't Seen: Fixed Bayonets (1951), Hell or High Water (1954), Shark! (1969)
Dead Pigeon on Beethoven Street (1972), Thieves After Dark (1984)
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