The Best of Robert Duvall

1931 -- 202

                                     To this day, I still think Lonesome Dove was my best part.

1)     Lonesome Dove                                       Simon Wincer, etc.                                   1989
2)     Apocalypse Now                                      Francis Ford Coppola                              1979
3)     The Great Santini                                    Lewis John Carlino                                  1979
4)     Tomorrow                                                 Joseph Anthony                                       1972
5)     Colors                                                       Dennis Hopper                                         1988
6)     The Godfather                                         Francis Ford Coppola                              1972
7)     To Kill A Mockingbird                             Robert Mulligan                                       1962
8)     The Great Northfield Minnesota Raid  Philip Kaufman                                         1972
9)     The Apostle                                              Robert Duvall                                          1997
10)   Tender Mercies                                        Bruce Beresford                                      1983

He rarely made a bad performance. Often, as in Apocalypse Now and The Betsy, he gave by far the best performance in the film. I want to stress the above rankings are not based on the overall quality of the film. Tomorrow is a poor film and I've never been too thrilled by either To Kill a Mockingbird or Tender Mercies. However, the sheer volume of his varied film work rivals any of his contemporaries, even Gene Hackman. I especially enjoy his work in The Chase, True Grit, The Rain People, MASH, Joe Kidd, The Outfit, The Godfather 2, The Killer Elite, Network, True Confessions, Rambling Rose, Geronimo..., Something to Talk About, Sling Blade, Assassination Tango, Thank You for Smoking, and The Road

There was a chameleon quality to his work and he never suffered typecasting. He was not sought out for romantic leading man roles, but his turn in Assassination Tango showed he could command oodles of charm if need be.  After he had established himself in Hollywood, he was often called upon for villainy at which he was adept: his Jesse James is the most vicious in film history and Duvall was also quite pungent in True Grit, Joe Kidd, The Killer Elite, and Network. His death scene in Colors is a model of his realistic understatement.

   

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