Kim Min-hee and Lee Hye Yeong |
The film is shot almost entirely in high contrast black and white. Available light in the background washes out the depth of field, bringing our full attention to the amiable, but barbed interchanges in the foreground. Jun-hee's artistic quest surely mirrors Hong's own. The mask comes off in a brief color sequence late in the film when Kim Min-hee (Hong's sweetie) and the director burble "I love yous" to each other. Self-indulgent and talkie, The Novelist's Film, like the work of Erich Rohmer, is a conversational drama of erudite charm.
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