Aubrey Plaza in Emily the Criminal |
The change in emphasis is a sign of the times. Ford's directorial style is realistic. Kasdan's is a foray into expressionism. Each style has their plusses and minuses. I was more impressed with Ford's screenplay than his direction which serves the script, but does little more. The action sequences lack a visceral sense. I also have issues with some side orders on the menu. Emily's art background offers a clunky back story, a good example of what Manny Farber called the "Gimp". Similarly, Megalyn Echikurnwoke's character is so bland she seems to exist solely to provide Emily with a non-criminal friend. I did enjoy the contributions of Theo Rossi, Gina Gershon, Jonathan Avigdor, and John Billingsley.
Most of all I enjoyed the film because Ms. Plaza has delivered the performance of the year. Mostly utilized in comedies, her talents include a flair for the sinister found in Legion, Ingrid Goes West, Black Bear and, now Emily the Criminal. Even if her career goes to hell on a sled, which I doubt. this performance already caps an impressive career.
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