Alejandro Awada and Ricardo Darin in El Aura |
The aura refers to the brief moments of transcendence an epileptic experiences before falling into a seizure. The reality of the film is a sharp slap across the face in response to such intimations of freedom. Men in El aura are aggressive and sadistic brutes vying for dominance. They may shoot all sorts of game, but besting their fellow man is the ultimate trophy. Bielinsky stresses the bleakness of his scenario with a monochromatic palette of blues, greys, and greens. The lack of connection between the characters is emphasized by the framing in the widescreen format.
This would be all to misanthropic if not for the humanity gleaned in the performances. Even the most vile of Bielinsky's creations has moments of vulnerability. Best of the miscreants is Walter Reyno as a gunsel facing his twilight. Darin aptly captures his character's dimness and his delusions of grandeur. Esteban has, at least, gained a faithful companion by the film's conclusion. Sadly, this 2005 film was Bielinsky's final effort before his premature death at 47.
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