Josh Hartnett in Valley of the Gods |
His work concerns a combined Charles Foster Kane and Lucifer figure (played by John Malkovich) who looks down on mere mortals from his mountain top castle. There he has imprisoned various artists and thinkers who he trots out for his occasional amusement. Keir Dullea appears as a butler who has seemingly wandered in from the Overlook Hotel. Indeed, Jan Harlan, Kubrick's brother-in-law, is listed as one of Valley of the Gods' producers.
Intertwined with all this twaddle is a portrait of the Navajo nation in Utah battling a uranium mining company who want to develop their land. Somehow the strands of Native American spirituality and ritual are the strongest parts of the film. Majewski's unyielding pictorialism successfully integrates the valley's topography into the film. However, by the time Malkovich's character is ritually mummified, most will have ceased to try to make heads or tails out of Valley of the Gods.
There are antecedents for this film. Namely films set in the American desert by émigré directors that would be enhanced if the viewer had a peyote button or two. Perhaps one day some enterprising repertory theater will book a triple feature of Zabriskie Point, Arizona Dream, and Valley of the Gods.
Bonkers or Groovy, Man |
No comments:
Post a Comment