American Honey

Andrea Arnold's American Honey, the distinguished English director's first film shot in the US, is a warm portrait of youth on the outskirts of society. The protagonist, Star, leaves her Midwest home to join a roving band of magazine subscription salesmen. She is initiated into the group, both literally and figuratively, by Shia LaBeouf's Jake. He serves as the group's de facto capo, but is under the thumb of his boss and keeper, Krystal. Riley Keough is Krystal and, as in her previous screen appearances, provides a compelling presence, showing more than a little of her grand pappy's charisma. LaBeouf has never been better as a scuzzy con man with charm and ADD. Sasha Lane, as Star, makes an adept debut. Indeed, all of Arnold's performers register vividly amidst a seedy and colorful backdrop. 

Essentially a road movie, American Honey mostly chronicles the crew travelling in a van from cheap motel to grungy squats. The crew sing along to hip-hop and country songs with equal fervor and Arnold views their debauched frivolity with affection. She gives each crew member a chance to riff on their characters through extended cameos, a strategy that increases the three dimensionality of the film.

Arnold's screenplay never cheapens the narrative by resorting to mean and small-minded caricature. Most of the denizens of the Midwest who Star meets treat her with courtly grace and kindness. Most affecting is star's interchange with an older trucker which features them singing along to Springsteen's version of Suicide's "Dream, Baby, Dream". When three much older good old boys entertain Star poolside, the viewer is apprehensive about their intent. But it is Jake who spoils the party by reacting violently. Indeed, it is Jake and Krystal who are the film's villains, amoral capitalist exploiters the both of them. 

A good comparison to American Honey is David Mackenzie's Hell or High Water, both visions of American rural decay by UK directors. Both show individuals struggling to retain their humanity and stay ahead of the law amidst a pitiless economic landscape. I liked both films, but prefer American Honey for the generosity of its vision. (4/11/17)