Julia Ducournau's Raw is a striking first feature that transcends its genre. This cannibalism at a veterinarian school feature belongs to the body horror genre and, at times, the shadow of David Cronenberg's work, particularly Rabid and Crash, threatens to overwhelm Ducournau's trenchant vision. The performances of Garance Marillier and Ella Rumpf as ambivalent siblings helps lift this film above arty, slasher fare into something more disturbing. Ducournau's emphasis on the hazing rituals of the school, with its intimations of torture and degradation, presents us a rapacious system whose inhabitants respond in kind. Ducournau's heroine is named, like de Sade's, Justine. As in the work of the mad Marquis, the defilement of an innocent is an expression of evil, but also humanity. Because evil would not exist without humanity. Worth checking out for the brave and few. (10/30/17)
-
Blake Edwards' High Time is a simple minded Bing Crosby vehicle that Edwards transforms into a pop tone poem of color and music. The st...
-
Monica Vitti listens to the wind rustling through the trees in L'Eclisse Like Last Year at Marienbad , Michelangelo Antonioni's ...
-
Shirley Knight and James Caan in The Rain People Francis Ford Coppola's The Rain People , from 1969, is a road movie that explores the...
-
Agnes Varda's Le Bonheur (happiness or "the Good Hour"), from 1965 , is a skillful and accomplished...
-
Henry Lachman's Dante's Inferno is a structurally saggy vehicle for Spencer Tracy, his last film for Fox, that has so...
No comments:
Post a Comment