The Drowning Pool
Stuart Rosenberg's The Drowning Pool, from 1975, is a soggy detective thriller that benefits from a stellar supporting cast. Paul Newman plays private eye Lew Harper, reprising the role from the eponymous 1966 film. This film transposes the Southern California setting of Ross McDonald's novel to Louisiana for no obvious reason or benefit. The plot is a rehash of The Big Sleep with Joanne Woodward and Melanie Griffith in the Lauren Bacall and Martha Vickers' roles, respectively. Colonel Sternwood is replaced by a matriarch, well played by Coral Browne, and the greenhouse is replaced by an aviary. The film is nicely shot by Gordon Willis, but Rosenberg's direction is plodding and flavorless. A good example is the opening sequence, in which Newman disconnects the seat belt alarm on his car. The scene is laborious, merely existing to underline Harper's rebellious bona fides.
Similarly, there is very little suspense in the film. The villainy of certain principals is foreshadowed from the get go and makes the narrative utterly predictable. Murray Hamilton is badly cast as a vulgar oil tycoon and offers just one of the film's poor Southern accents. Andrew Robinson and Helena Kallianiotes, two icons of 70s cinema, have one terrific scene together, but then disappear. Rosenberg and Newman seem to want to use the film to attack corporate greed and perfidy in Nixonian America, but the tale is so slight as to render such themes moot.
The film was a product of Newman's First Artists Productions and has the pluses and minuses of a vanity production. Rosenberg had helmed Cool Hand Luke and was presumably brought in because he got along with the star. Anthony Franciosa is reunited with his cast mates from The Long, Hot Summer. As in that film, a Southern accent is beyond him, but he has a few fine moments of unbridled hysteria towards the end. Richard Jaeckel, so wonderful in Newman's Sometimes a Great Notion, is largely wasted as a thug. The Drowning Pool passes the time as a pleasant enough star vehicle, but is ultimately forgettable.
Did You Wonder Who Fired the Gun?
Travis Wilkerson's Did You Wonder Who Fired the Gun? is a first person documentary investigating the murder of an Afro-American man by Mr. Wilkerson's great-grandfather in Alabama in 1946. Wilkerson utilizes home movies, interviews with relatives and civil rights advocates, still photos and clips from the dreaded To Kill a Mockingbird to illustrate what he says is an experimental and fragmented film about racism. The soundtrack is similarly sliced and diced, so that Negro work songs, hip-hop and folk are used to bracing effect. Wilkerson foregrounds his postmodernism and white privilege. This allows him to explore his subject in a digressive fashion, flaunting avant-garde effects. I was most impressed with his daring when he layered a clip of Billie Holiday singing "Strange Fruit" (backwards!) over an image of trees swaying in the wind. A send of bold adventurousness not usually found in documentaries of the PBS ilk. The film is never boring.
However, it is somewhat dry and bloodless for a film about family. Wilkerson's method is that of a dialectician, hoping that an interesting juxtaposition of images and sound will achieve a synthesis. The results are neutered by his aestheticism. Everything is shot beautifully, even a dead deer being devoured by insects. Did You Wonder Who Fired the Gun? suffers from the finger pointing syndrome embodied in its use of Phil Ochs' "William Moore" at its climax. Ochs' song, just like Dylan's one about Hattie Carroll, serves as a worthy protest and remembrance, but is limited by its sense of moral superiority. Wilkerson is willing to implicate himself in his family's dark heritage, but cannot show more than simulacrum of evil and intolerance. He is able to manipulate outrage at horrific events, but not evoke the horror of the everyday. The world of Did You Wonder Who Fired the Gun?, worthy film that it is, is more parsed over than lived in.
Best of 1999
- Beau Travail Claire Denis
- Topsy-Turvy Mike Leigh
- Holy Smoke Jane Campion
- Election Alexander Payne
- Run Lola Run Tom Tykwer
- The Insider Michael Mann
- Eyes Wide Shut Stanley Kubrick
- The Color of Paradise Majid Majidi
- Being John Malkovich Spike Jonze
- All About My Mother Pedro Almodóvar
Honorable Mention
Jesus' Son -- Maclean, The End of the Affair -- Jordan,
Audition -- Miike, Titus -- Taymor, Mansfield Park -- Rozema,
The Straight Story -- Lynch, The Limey -- Soderbergh, Magnolia -- PT Anderson,
The Sixth Sense -- Shyamalan, Fight Club -- Fincher,
Au cœur du mensonge -- Chabrol, I Stand Alone -- Noe
Films I Enjoyed
Pola X, Office Space,
existenz, Bowfinger,
Three Kings, Any Given Sunday,
Wisconsin Death Trip, Bringing Out the Dead,
My Voyage to Italy, The Wind Will Carry Us,
The Talented Mr. Ripley,
The Iron Giant, Toy Story 2,
Ratcatcher, Man on the Moon,
The Matrix, Galaxy Quest,
Go, American Beauty,
Cruel Intentions, Cradle Will Rock,
Compensation,
The Mummy, Boys Don't Cry
Under the Mendoza Line
Sleepy Hollow, Liberty Heights,
Stuart Little, The Thomas Crown Affair,
Tarzan, Girl, Interrupted,
Ride with the Devil, Mystery Men,
The Annihilation of Fish,
Warm Blooded Killers, One Man's Hero,
Arlington Road, Never Been Kissed,
The Green Mile, Austin Powers 2,
At First Sight, Star Wars: The Phantom Menace, Notting Hill,
American Pie, The Blair Witch Project,
10 Things I Hate About You, Big Daddy
Cave Videntium
Wild Wild West
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