The Ugly Stepsister

Ane Dahl Torp and Lea Myren              
Emilie Blichfeldt's The Ugly Stepsister is a twist on the tale of Cinderella that combines feminism, body horror, and black humor. This Norwegian film, Blichfeldt's feature debut, is set in the early Victorian era and shifts the central focus of the tale to the plight of Cinderella's stepsister, here named Elvira (Lea Myren). After watching her new stepdad choke to death on his wedding cake, Elvira becomes the focus of her very evil mother's plan to find a new meal ticket. Since Elvira is "ugly", her mother ( a droll Ane Dahl Torp) enlists a series of quacks to improve her looks. Elvira gets her teeth fixed, her nose adjusted, her eyelashes augmented, and, my personal favorite, ingests a tapeworm in order to lose weight. Sex, in the film is purely a form of commerce in which erotic favors are exchanged for financial security. The ultimate prize is, of course, the hand in matrimony of the prince, but we know how this fairy tale ends.

Because it hews closely to the original fable, The Ugly Stepsister suffers a little from predictability. However, only a churl could resist the film's gorgeous production design and costumes. There are no weak performances and a large number of quite amusing ones. Blichfeldt cribs a little too much from Poor Things and there are also nods to the films of Busby Berkeley and Walerian Borowczyk. The Ugly Stepsister is not a film for tikes, but Blichfeldt's fidelity to the original tale's undercurrent of savagery makes this a much more provocative adaption than the anodyne animated Disney version.

The Great Flood

Kim Da-mi
Kim Byung-woo's The Great Flood is a serviceable Korean Sci-Fi disaster film that has turned out to be the most viewed film on Netflix during the Christmas season. A mother (Kim Da-mi) and her six year old son are trapped in a Seoul apartment building as an apocalyptic flood is unleashed. An agent of the UN (Park Hae-soo) tries to facilitate their exit, the mom is part of a secret government program designed to create artificial humanoid life forms, but there is doubt that he can be trusted. About halfway through the picture, The Great Flood morphs from a disaster film into a sci-fi one in which the characters are stuck in a loop of eternal recurrence, like Groundhog Day or Edge of Tomorrow. The rationale for this is Sci-Fi gobbledegook, but this well acted film evokes moments of human loss and bravery that lift it slightly above ordinary fare. 

 

Biff's Favorite Pop Music Releases of 2025

                               


 1).    Tyler Childers            ---         Snipe Hunter
 2).    Little Simz                 ---         Lotus
 3).    Buck 65                     ---         Keep Moving 
 4).    Lily Allen                  ---         West End Girl
 5).    Ezra Furman             ---          Goodbye Small Head
 6).    Hailey Whitters         ---         Corn Queen
 7).    Viagra Boys              ---         Viagr Aboys
 8).    Chuck D                    ---         Radio Apocalypse
 9).    Horsegirl                   ---         Phonetics On and On and On
10).   Clipping                    ---         Dead Channel Sky

I also enjoyed albums by Marshall Allen, Iron Mike Eagle, Roots Rocking Zimbabwe, Bootsy Collins, Tune-Yards, De La Soul, Sabrina Carpenter, US Girls, Danny Brown, Skrillex, James McMurtry, A Tribute to the King of Zydeco, Jeffrey Lewis, Kae Tempest, Wet Leg, Neil Young, Lucy Dawes, Big Thief, Dijon, CMAT, Wednesday, Craig Finn, Brother Ali, and the Mekons.